Die neuen Skulpturen von Thomas Reifferscheid sind vielfältig in Material, Größe und Form und tragen doch durchweg seine Handschrift. Thomas Reifferscheid lässt sich in seiner Formgebung von dem vorgefundenen Stein führen und bearbeitet ihn, indem er teilweise poliert, teilweise die natürlichen rauen Oberflächen bewahrt. Seine Skulpturen zeugen von einer Harmonie und Synthese von natürlicher Beschaffenheit und bildhauerischer Formgebung.

Stephan Siebers operates on the borderline between sculpture and architecture. His works, which can often be arranged in various ways, explore the limits of structural stability and thus always appear dynamic.

In the Layering series, Stephan Siebers stacks steel or aluminum plates of equal or varying thicknesses, using their shifts to seemingly playfully form different formations and shapes. The steel sculptures, which in their smaller formats are made of solid steel, have been joined by newer aluminum works that are anodized in various colours.

After a long period of creating large-scale, expressive works, Rolf Rose has returned to a quiet language. The new works combine elements of his well-known monochromatic squeegee paintings with a restrained use of color. They are both powerful and subtle, and result from a focused creative process.

The new works are juxtaposed with pieces from the 1980s and 1990s, such as a sculpture from the first half of the 1980s that attests to the conceptual approach in Rolf Rose’s oeuvre.

Stephan Siebers operates on the borderline between sculpture and architecture. His works, which can often be arranged in various ways, explore the limits of structural stability and thus always appear dynamic.

In the Layering series, Stephan Siebers stacks steel or aluminum plates of equal or varying thicknesses, using their shifts to seemingly playfully form different formations and shapes. The steel sculptures, which in their smaller formats are made of solid steel, have been joined by newer aluminum works that are anodized in various colours.